Seo Taiji 1992-2004: South Korean popular music and masculinity (my master's thesis)
© Janet Hilts 2006 - please note: this is not the final version of my thesis.
Abelmann, Nancy. (2003). The Melodrama of mobility: women, talk, and class in contemporary South Korea. Honolulu: University of Hawai'i Press.
Appadurai, Arjun. (1991). Global ethnoscapes: notes for a transnational anthropology. In R. G. Fox (Ed.), Recapturing anthropology: working in the present (pp. 191-210). Santa Fe, N.M.: School of American Research Press; University of Washington Press.
Auslander, Philip. (2004). Performance analysis and popular music: a manifesto. Contemporary Theatre Review, 14(1), 1-13.
Baek, Sun-ki (Paek Sôn-ki). (1996). Taejung munhwa t'eksûtû-ûi 'taûisông' kwa suyongja 'haedok' - Seo Taiji-wa aidûr-i "Comeback Home" e taehan wôllisû-ûi punsôkt'ûl chôkyong-ûl chungshimûro (The sign in today's society / ' plurality ' of meaning and reader's ' decipherment ' of mass culture texts - the case of Seo Taiji's "Comeback Home"). Kihohak yongu, 2, 211-258.
Bakhtin, Mikhail. (1981). The Dialogic imagination: four essays (C. Emerson and M. Holquist, Trans.). Austin: University of Texas Press.
Baranovitch, Nimrod. (2003). China's new voices: popular music, ethnicity, gender, and politics, 1978-1997. Berkeley: University of California Press.
Barthes, Roland. (1990). The Grain of the voice. In S. Frith & A. Goodwin (Eds.), On record : rock, pop, and the written word (1st ed., pp. 293-300). New York: Pantheon Books. (Original work published 1977).
Brackett, David. (1992). James Brown’s ‘Superbad’ and the double-voiced utterance. Popular Music, 11(3), 309-324.
Bradby, Barbara. (1993). Sampling sexuality, gender, technology and the body in dance music. Popular Music, 12(2), 155-176.
———–. (2003). Discourse analysis. In Continuum encyclopedia of popular music of the world (Vol. I, pp. 67-70). London; New York: Continuum.
Bradby, Barbara, & Laing, David. (2001). Introduction to 'Gender and Sexuality' special issue. Popular Music, 20(3), 295-300.
Butler, Judith. (1990). Gender trouble: feminism and the subversion of identity. New York: Routledge.
Changnûbyôl ach'i'sût'û: rok (taep'yogasu). (2005, June 12). Retrieved June 13, 2005, from http://music.bugs.co.kr/music/ArtistGenre.asp?country=kpop&genre_code=4.
Cheng, Sea-ling. (2000). Assuming manhood: prostitution and patriotic passions in Korea. East Asia: An International Quarterly, 18(4), 40-78.
Cho, Hae-joang. (2000). "You are entrapped in an imaginary well": the formation of subjectivity within compressed development - a feminist critique of modernity and Korean culture. Inter-Asia Cultural Studies,1(1), 49-69.
———– (Cho Han, Hae-joang). (2004). Beyond the FIFA’s World Cup: an ethnography of the ‘local’ in South Korea around the 2002 World Cup. Inter-Asia Cultural Studies, 5(1), 8-25.
Cho, Uhn. (2004). Gender inequality and patriarchal order reexamined. Korea Journal, 44(1), 22-41.
Choi, Chung-moo. (1998). Nationalism and construction of gender in Korea. In E. H. Kim & C. Choi (Eds.), Dangerous women: gender and Korean nationalism (pp. 9-31). New York, NY: Routledge.
———–. (2002). The Politics of gender aestheticism and cultural nationalism in Sopyonje and The Genealogy. In D. James & K. H. Kim (Eds.), Im Kwon-Taek: The Making of a Korean national cinema. Detroit: Wayne State University Press.
Choi, Jung-ah. (2005). New generation's career aspirations and new ways of marginalization in a postindustrial economy. British Journal of Sociology of Education, 26(6), 269-283.
Chôngbot'ongsin kômyôl paeksô (Information on censorship in communications). (1997, November 20). Retrieved August 4, 2005, from http://iggi.unesco.or.kr/web/iggi_docs/07/952584466.pdf.
Chow, Chien-I. (1998). From the star to the fans: the formation of gender subjects in fandom in popular music. Mass communication research, 56, 105-134.
Chung, Hee-joon. (2003). Sports star vs rock star in globalizing popular culture. International Review for the Sociology of Sport, 38(1), 99-108.
Connell, R. W. (1995). Masculinities. Berkeley: University of California Press.
———–. (1998). Masculinities and globalization. Men and Masculinities, 1(1), 3-23.
———–. (2000). The Men and the boys. Cambridge, UK: Polity; Blackwell.
———–. (2002). Gender. Malden, MA; Cambridge, UK: Blackwell; Polity.
Crapanzano, Vincent. (1980). Tuhami, portrait of a Moroccan. Chicago: University of Chicago Press.
Daley, Mike. (1997). "One who sings with his tongue on fire”: change, continuity and meaning in Bob Dylan's vocal style, 1960-66. Unpublished Master's thesis, York University, Toronto.
Darling-Wolf, Fabienne. (2003). Male bonding and female pleasure: refining masculinity in Japanese popular cultural texts. Popular Communication, 1(2), 73-88.
———–. (2004). SAMP, sex, and masculinity: constructing the perfect female fantasy in Japanese popular music. Popular Music and Society, 27(3), 358-370.
Dibben, Nicola. (2002). Constructions of femininity in 1990s girl-group music. Feminism and Psychology, 12(2), 168-175.
Dunn, Leslie C., & Jones, Nancy A. (Eds.). (1994). Embodied voices: representing female vocality in Western culture. Cambridge; New York: Cambridge University Press.
Duranti, Alessandro. (1992). Language and bodies in social space: Samoan ceremonial greetings. American Anthropologist, 94(3), 657-691.
Farnell, Brenda M. (1995). Do you see what I mean?: Plains Indian sign talk and the embodiment of action (1st ed.). Austin: University of Texas Press.
Farnell, Brenda, & Graham, Laura R. (1998). Discourse-centered methods. In H. R. Bernard (Ed.), Handbook of methods in cultural anthropology. Walnut Creek, Calif.: Alta Mira.
Fast, Susan. (2001). In the houses of the holy: Led Zeppelin and the power of rock music. New York: Oxford University Press.
Fedorenko, Olga. (2004). Gender relations in South Korea as revealed through "oppa" discourse. Unpublished manuscript, University of Toronto, Toronto.
Feld, Steven. (1990). Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (2nd ed.). Philadelphia: University of Pennsylvania Press.
Flower Man/kk'ot-un namja. (2002). Retrieved August 17, 2005, from http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=1135
Frith, Simon. (1996). Performing rites: on the value of popular music. Cambridge, Ma.: Harvard University Press.
Fung, Anthony, & Curtin, Michael. (2002). The anomalies of being Faye (Wong): gender politics in Chinese popular music. International Journal of Cultural Studies, 5(3), 263-290.
Hanke, Robert. (1998). Theorizing masculinity with/in the media. Communication Theory, 8(2), 183-203.
Appadurai, Arjun. (1991). Global ethnoscapes: notes for a transnational anthropology. In R. G. Fox (Ed.), Recapturing anthropology: working in the present (pp. 191-210). Santa Fe, N.M.: School of American Research Press; University of Washington Press.
Auslander, Philip. (2004). Performance analysis and popular music: a manifesto. Contemporary Theatre Review, 14(1), 1-13.
Baek, Sun-ki (Paek Sôn-ki). (1996). Taejung munhwa t'eksûtû-ûi 'taûisông' kwa suyongja 'haedok' - Seo Taiji-wa aidûr-i "Comeback Home" e taehan wôllisû-ûi punsôkt'ûl chôkyong-ûl chungshimûro (The sign in today's society / ' plurality ' of meaning and reader's ' decipherment ' of mass culture texts - the case of Seo Taiji's "Comeback Home"). Kihohak yongu, 2, 211-258.
Bakhtin, Mikhail. (1981). The Dialogic imagination: four essays (C. Emerson and M. Holquist, Trans.). Austin: University of Texas Press.
Baranovitch, Nimrod. (2003). China's new voices: popular music, ethnicity, gender, and politics, 1978-1997. Berkeley: University of California Press.
Barthes, Roland. (1990). The Grain of the voice. In S. Frith & A. Goodwin (Eds.), On record : rock, pop, and the written word (1st ed., pp. 293-300). New York: Pantheon Books. (Original work published 1977).
Brackett, David. (1992). James Brown’s ‘Superbad’ and the double-voiced utterance. Popular Music, 11(3), 309-324.
Bradby, Barbara. (1993). Sampling sexuality, gender, technology and the body in dance music. Popular Music, 12(2), 155-176.
———–. (2003). Discourse analysis. In Continuum encyclopedia of popular music of the world (Vol. I, pp. 67-70). London; New York: Continuum.
Bradby, Barbara, & Laing, David. (2001). Introduction to 'Gender and Sexuality' special issue. Popular Music, 20(3), 295-300.
Butler, Judith. (1990). Gender trouble: feminism and the subversion of identity. New York: Routledge.
Changnûbyôl ach'i'sût'û: rok (taep'yogasu). (2005, June 12). Retrieved June 13, 2005, from http://music.bugs.co.kr/music/ArtistGenre.asp?country=kpop&genre_code=4.
Cheng, Sea-ling. (2000). Assuming manhood: prostitution and patriotic passions in Korea. East Asia: An International Quarterly, 18(4), 40-78.
Cho, Hae-joang. (2000). "You are entrapped in an imaginary well": the formation of subjectivity within compressed development - a feminist critique of modernity and Korean culture. Inter-Asia Cultural Studies,1(1), 49-69.
———– (Cho Han, Hae-joang). (2004). Beyond the FIFA’s World Cup: an ethnography of the ‘local’ in South Korea around the 2002 World Cup. Inter-Asia Cultural Studies, 5(1), 8-25.
Cho, Uhn. (2004). Gender inequality and patriarchal order reexamined. Korea Journal, 44(1), 22-41.
Choi, Chung-moo. (1998). Nationalism and construction of gender in Korea. In E. H. Kim & C. Choi (Eds.), Dangerous women: gender and Korean nationalism (pp. 9-31). New York, NY: Routledge.
———–. (2002). The Politics of gender aestheticism and cultural nationalism in Sopyonje and The Genealogy. In D. James & K. H. Kim (Eds.), Im Kwon-Taek: The Making of a Korean national cinema. Detroit: Wayne State University Press.
Choi, Jung-ah. (2005). New generation's career aspirations and new ways of marginalization in a postindustrial economy. British Journal of Sociology of Education, 26(6), 269-283.
Chôngbot'ongsin kômyôl paeksô (Information on censorship in communications). (1997, November 20). Retrieved August 4, 2005, from http://iggi.unesco.or.kr/web/iggi_docs/07/952584466.pdf.
Chow, Chien-I. (1998). From the star to the fans: the formation of gender subjects in fandom in popular music. Mass communication research, 56, 105-134.
Chung, Hee-joon. (2003). Sports star vs rock star in globalizing popular culture. International Review for the Sociology of Sport, 38(1), 99-108.
Connell, R. W. (1995). Masculinities. Berkeley: University of California Press.
———–. (1998). Masculinities and globalization. Men and Masculinities, 1(1), 3-23.
———–. (2000). The Men and the boys. Cambridge, UK: Polity; Blackwell.
———–. (2002). Gender. Malden, MA; Cambridge, UK: Blackwell; Polity.
Crapanzano, Vincent. (1980). Tuhami, portrait of a Moroccan. Chicago: University of Chicago Press.
Daley, Mike. (1997). "One who sings with his tongue on fire”: change, continuity and meaning in Bob Dylan's vocal style, 1960-66. Unpublished Master's thesis, York University, Toronto.
Darling-Wolf, Fabienne. (2003). Male bonding and female pleasure: refining masculinity in Japanese popular cultural texts. Popular Communication, 1(2), 73-88.
———–. (2004). SAMP, sex, and masculinity: constructing the perfect female fantasy in Japanese popular music. Popular Music and Society, 27(3), 358-370.
Dibben, Nicola. (2002). Constructions of femininity in 1990s girl-group music. Feminism and Psychology, 12(2), 168-175.
Dunn, Leslie C., & Jones, Nancy A. (Eds.). (1994). Embodied voices: representing female vocality in Western culture. Cambridge; New York: Cambridge University Press.
Duranti, Alessandro. (1992). Language and bodies in social space: Samoan ceremonial greetings. American Anthropologist, 94(3), 657-691.
Farnell, Brenda M. (1995). Do you see what I mean?: Plains Indian sign talk and the embodiment of action (1st ed.). Austin: University of Texas Press.
Farnell, Brenda, & Graham, Laura R. (1998). Discourse-centered methods. In H. R. Bernard (Ed.), Handbook of methods in cultural anthropology. Walnut Creek, Calif.: Alta Mira.
Fast, Susan. (2001). In the houses of the holy: Led Zeppelin and the power of rock music. New York: Oxford University Press.
Fedorenko, Olga. (2004). Gender relations in South Korea as revealed through "oppa" discourse. Unpublished manuscript, University of Toronto, Toronto.
Feld, Steven. (1990). Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (2nd ed.). Philadelphia: University of Pennsylvania Press.
Flower Man/kk'ot-un namja. (2002). Retrieved August 17, 2005, from http://www.commercialcloset.org/cgi-bin/iowa/portrayals.html?record=1135
Frith, Simon. (1996). Performing rites: on the value of popular music. Cambridge, Ma.: Harvard University Press.
Fung, Anthony, & Curtin, Michael. (2002). The anomalies of being Faye (Wong): gender politics in Chinese popular music. International Journal of Cultural Studies, 5(3), 263-290.
Hanke, Robert. (1998). Theorizing masculinity with/in the media. Communication Theory, 8(2), 183-203.
Hearn, Jeff. (2004). From hegemonic masculinity to the hegemony of men. Feminist Theory, 5(1), 49-72.
Hosakawa, Shuhei. (2002). Blacking Japanese: experiencing otherness from afar. In D. Hesmondhalgh & K. Negus (Eds.), Popular music studies (pp. 223-237). London: Arnold.
Howard, Keith. (1998). Blending the wine and stretching the wineskins: new Korean music for old Korean instruments. In S.-c. Yi (Ed.), Ûmakhak non'go: Yi Hye-gu paksa kusun kinyôm (Essays in musicology: an offering in celebration of Yi Hye-gu on his ninetieth birthday). (pp. 503-535). Seoul: Seoul National University.
———–. (2002). Exploding ballads: the transformation of Korean pop music. In R. King & T. J. Craig (Eds.), Global goes local: popular culture in Asia (pp. 80-95). Vancouver: UBC Press.
———–. (2003). From rap to dance: appropriation and assimilation in Korean pop music. Papers of the British Association of Korean Studies(8), 39-55.
Im, Sôn-rye. (2004, February 16). Pangsongsim-ûi kaehyôg-ûl wihan yôndaesômyông cheansô (The Broadcasters' decision to censor). Retrieved January 11, 2005, from http://womanrights.org/freeboard/content.php?id=69&vno=59&find=&search=&page=18.
Jager, Sheila M. (1996). Women, resistance and the divided nation: the romantic rhetoric of Korean reunification. The Journal of Asian Studies, 55(1), 3-21.
———–. (2002). Monumental histories: manliness, the military, and the War Memorial. Public Culture, 14(2), 387-409.
Jeon, Kyu-chan. (1998). P'osûtû sidae ûi munhwa chônch’i (Cultural studies in the 'post' era). Seoul: Communication Books.
Keil, Charles. (1994). Motion and feeling through music. In C. Keil & S. Feld (Eds.), Music grooves: essays and dialogues. Chicago: University of Chicago Press.
Kendon, Adam. (1980). Gesticulation and speech: two aspects of the process of utterance. In M. R. Key (Ed.), The Relationship of verbal and non-verbal communication. (pp. 207-227). The Hague: Mouton.
———–. (1983). Gesture and speech: how they interact. In J. M. Wiemann & R. Harrison (Eds.), Nonverbal interaction (pp. 13-45). Beverly Hills: Sage.
Killick, Andrew P. (1991). Nationalism and internationalism in new music for Korean instruments. Korea Journal, 31(3), 104-116.
Kim, Hyun Mee. (2001). Work, nation and hypermasculinity: the 'woman' question in the economic miracle and crisis in South Korea. Inter-Asia Cultural Studies, 2(1), 53-68.
———–. (2004). Feminization of the 2002 World Cup and women’s fandom (Hong Sung Hee, Trans.). Inter-Asia Cultural Studies, 5(1), 42 - 51.
Kim, Hyun Sup. (1999). Seo Taiji tamlon (Seo Taiji revisited). Seoul: Sehun Munhwasô.
Kim, Kyung Hyun. (2004). The Remasculinization of Korean cinema. Durham, North Carolina: Duke University Press.
Kim, Seung-kyung, & Finch, John. (2002). Living with rhetoric, living against rhetoric: Korean families and the IMF economic crisis. Korean Studies, 26(1), 120-139.
Kim, Sung-jin. (2004, February 3). Music recording industry in deep downturn: piracy, business slowdown frustrate singers. Retrieved January 20, 2005, from http://times.hankooki.com/lpage/biz/200402/kt2004020316301511860.htm.
Kim, Taeyon. (2003). Neo-Confucian body techniques: women's bodies in Korea's consumer society. Body and Society, 9(2), 97-113.
Kkot-ûn tûn namja "k'ôllalosyôn" TV-CF. (2002). Retrieved August 17, 2005, from http://www.somangcos.co.kr/about/pr/ab_cf_read_3.asp
Korean gender roles collapsing. (2004, December 26). Retrieved December 29, 2004, from http://english.chosun.com/w21data/html/news/200412/200412260015.html.
Kumar, Shanti, & Curtin, Michael. (2002). Made in India: in between music television and patriarchy. Television and New Media, 3(4), 345-366.
Kwon, Insook. (2000). Militarism in my heart: militarization of women's consiousness and culture in South Korea. Unpublished Ph.D. dissertation, Clark University, Worchester, Ma.
Lee, Aie-Rie. (2003). Stability and change in Korean values. Social Indicators Research, 62-64(1-3), 93 - 117.
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Lee, June J. H. (2002). Discourses of illness, meanings of modernity: a gendered construction of Sônginbyông. In L. Kendall (Ed.), Under construction (pp. 55-78). Honolulu: University of Hawai'i Press.
Lee, Kee-hyeung. (2000). Detraditionalization of society and the rise of cultural studies in South Korea. Inter-Asia Cultural Studies, 1(3), 477-490.
———–. (2002). Toward a cultural history in the Korean present: locating the cultural politics of the everyday. Unpublished PhD dissertation, University of Chicago at Urban-Champaign, Urbana.
Lee, So-hee. (2002). The Concept of female sexuality in Korean popular culture. In L. Kendall (Ed.), Under construction (pp. 141-164). Honolulu: University of Hawai'i Press.
Leonard, Marion. (1997). 'Rebel girl, you are the queen of my world: feminism, 'subculture' and grrrl power. In S. Whiteley (Ed.), Sexing the groove: popular music and gender (pp. 230-255). London: Routledge.
Louie, Kam. (2002). Theorising Chinese masculinity: society and gender in China. Cambridge: Cambridge University Press.
Lu, Sheldon H. (2000). Soap opera in China: the transnational politics of visuality, sexuality, and masculinity. Cinema Journal, 40(1), 25-47.
Ma, Eric. (2002). Emotional energy and sub-cultural politics: alternative bands in post-1997 Hong Kong. Inter-Asia Cultural Studies, 3(2), 187-200.
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McCracken, Allison. (1999). "God's gift to us girls": crooning, gender and the re-creation of American popular song, 1928-1933. American Music, 17(4), 365-395.
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Moon, Seungsook. (2002). Imaging a nation through differences: Reading the controversy concerning the military service extra points system in South Korea. Review of Korean Studies, 5(2), 73-109.
———–. (2002). The Production and subversion of hegemonic masculinity: reconfiguring gender hierarchy in contemporary South Korea. In L. Kendall (Ed.), Under construction (pp. 79-113). Honolulu: University of Hawaii Press.
———–. (2005). Trouble with conscription, entertaining soldiers: popular culture and the politics of militarized masculinity in South Korea. Men and Masculinities, 8(1), 64-92.
Morelli, Sarah. (1997). Korean popular music and modes of identification in Korea and America. In T. Mitsui (Ed.), Popular Music: intercultural interpretations, 9th Annual Conference of the International Association for the Study of Popular Music (pp. 168-173). Kanazawa, Japan: Kanazawa University.
———–. (2001). Who is a dancing hero? rap, hip-hop and dance in Korean popular culture. In T. Mitchell (Ed.), Global noise: rap and hip-hop outside the USA. Middletown, Conn: Wesleyan University Press.
Nelson, Laura C. (2000). Measured excess: status, gender, and consumer nationalism in South Korea. New York: Columbia University Press.
Noh, Young-Hae. (2001). Main themes of Korean popular songs in the last 30 years. Umak kwa munhwa/Music and culture, 4, 149-183.
———–. (2002). Main themes of Korean popular songs between 1940 and 1970. Umak kwa munhwa/Music and culture, 7, 113-142.
O'Meara, Caroline. (2003). The Raincoats: breaking down punk rock's masculinities. Popular Music, 22(3), 299-313.
Pak, Un Kyong. (2003). God sut'adom kwa p'aendom (G.o.d.: stardom and fandom). Seoul: Hanul.
Paquet, Darcy. (2000). Happy End. Retrieved April 12, 2005, from http://koreanfilm.org/kfilm99.html#happyend.
Park, Shin-gil. (2000). Negotiating identities in a performance genre: the case of P'ungmul and Samulnori in contemporary Seoul. Unpublished PhD dissertation, University of Pittsburgh, Pittsburgh.
Party, Daniel. (2004). (Dissertation prospectus) Placer Culpable: globalization, gender and melodrama in Latin-American balada. Retrieved November 17, 2004, from http://www.sas.upenn.edu/~dparty/pdf/Proposal.pdf.
Purcell, Conor. (2005, March 17). Foreigners fear for safety in South Korea. Retrieved April 4, 2005, from http://www.greatreporter.com/modules.php?name=News&file=article&sid=359.
Robinson, Michael. (1984). National identity and the thought of Sin Ch'ae-ho: Sadaejuûi and Chuch'e in history and politics. The Journal of Korean Studies, 5, 121-142.
Roe, Jae H. (2001). "Louder than a Bomb": the cultural politics of hardcore rap in the U.S. and Korea. Miguk Hangnonjip (Journal of American Studies), 33(2), 107-120.
Seeger, Anthony. (1987). Why Suyá sing: a musical anthropology of an Amazonian people. Cambridge: Cambridge University Press.
Sellnow, Deanna D. (1999). Music as persuasion: refuting hegemonic masculinity in "He thinks he'll keep her". Women's Studies in Communication, 22(1), 66-84.
Seo Taiji, KTF-wa kwang'gomodel, k'ont'ench'ûgong kyeyak (Seo Taiji as KTF spokes model: the contract contents). (2003, January 15). Retrieved January 20, 2005, from http://www.hani.co.kr/section-009000000/2003/01/009000000200301151424677.html.
Shepherd, John. (1991). Music as social text. Cambridge: Polity.
———–. (2003). Poststructuralism. In Continuum encyclopedia of popular music of the world (Vol. I, pp. 111-117). London; New York: Continuum.
Shepherd, John, & Wicke, Peter. (1997). Music and cultural theory. Cambridge, MA: Polity Press.
Shin, Ji-young. (1998, July 2). Yôsông kwa rok / seksyo'ôllich'i (in rock) (Women and rock / sexuality (in rock). Retrieved March 10, 2005, from http://www.unninet.co.kr/cafe/bbs_view.asp?cafe_Idx=103&textcode=3145.
Shin, Soon-chul. (1998). Importing, negotiating, and articulating identities: popular music and teen culture in Korea. Unpublished Master's thesis, University of Georgia, Athens.
Skinner, Debra, Valsiner, Jaan, & Holland, Dorothy. (2001, September).Discerning the dialogical self: a theoretical and methodological examination of a Nepali adolescent's narrative. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 2, Article 3. Retrieved August 18, 2005, from www.qualitative-research.net/fqs/fqs-eng.htm.
Song, Jesook. (forthcoming). "Family Breakdown" and invisible homeless women: neo-liberal governance during the Asian Debt Crisis in South Korea 1997-2001. Positions: East Asia cultures critique.
Song, Jesook. (2003). Shifting technologies: Neoliberalization of the welfare state in South Korea, 1997-2001. Unpublished Ph.D., University of Illinois, Urbana-Champaign.
Hosakawa, Shuhei. (2002). Blacking Japanese: experiencing otherness from afar. In D. Hesmondhalgh & K. Negus (Eds.), Popular music studies (pp. 223-237). London: Arnold.
Howard, Keith. (1998). Blending the wine and stretching the wineskins: new Korean music for old Korean instruments. In S.-c. Yi (Ed.), Ûmakhak non'go: Yi Hye-gu paksa kusun kinyôm (Essays in musicology: an offering in celebration of Yi Hye-gu on his ninetieth birthday). (pp. 503-535). Seoul: Seoul National University.
———–. (2002). Exploding ballads: the transformation of Korean pop music. In R. King & T. J. Craig (Eds.), Global goes local: popular culture in Asia (pp. 80-95). Vancouver: UBC Press.
———–. (2003). From rap to dance: appropriation and assimilation in Korean pop music. Papers of the British Association of Korean Studies(8), 39-55.
Im, Sôn-rye. (2004, February 16). Pangsongsim-ûi kaehyôg-ûl wihan yôndaesômyông cheansô (The Broadcasters' decision to censor). Retrieved January 11, 2005, from http://womanrights.org/freeboard/content.php?id=69&vno=59&find=&search=&page=18.
Jager, Sheila M. (1996). Women, resistance and the divided nation: the romantic rhetoric of Korean reunification. The Journal of Asian Studies, 55(1), 3-21.
———–. (2002). Monumental histories: manliness, the military, and the War Memorial. Public Culture, 14(2), 387-409.
Jeon, Kyu-chan. (1998). P'osûtû sidae ûi munhwa chônch’i (Cultural studies in the 'post' era). Seoul: Communication Books.
Keil, Charles. (1994). Motion and feeling through music. In C. Keil & S. Feld (Eds.), Music grooves: essays and dialogues. Chicago: University of Chicago Press.
Kendon, Adam. (1980). Gesticulation and speech: two aspects of the process of utterance. In M. R. Key (Ed.), The Relationship of verbal and non-verbal communication. (pp. 207-227). The Hague: Mouton.
———–. (1983). Gesture and speech: how they interact. In J. M. Wiemann & R. Harrison (Eds.), Nonverbal interaction (pp. 13-45). Beverly Hills: Sage.
Killick, Andrew P. (1991). Nationalism and internationalism in new music for Korean instruments. Korea Journal, 31(3), 104-116.
Kim, Hyun Mee. (2001). Work, nation and hypermasculinity: the 'woman' question in the economic miracle and crisis in South Korea. Inter-Asia Cultural Studies, 2(1), 53-68.
———–. (2004). Feminization of the 2002 World Cup and women’s fandom (Hong Sung Hee, Trans.). Inter-Asia Cultural Studies, 5(1), 42 - 51.
Kim, Hyun Sup. (1999). Seo Taiji tamlon (Seo Taiji revisited). Seoul: Sehun Munhwasô.
Kim, Kyung Hyun. (2004). The Remasculinization of Korean cinema. Durham, North Carolina: Duke University Press.
Kim, Seung-kyung, & Finch, John. (2002). Living with rhetoric, living against rhetoric: Korean families and the IMF economic crisis. Korean Studies, 26(1), 120-139.
Kim, Sung-jin. (2004, February 3). Music recording industry in deep downturn: piracy, business slowdown frustrate singers. Retrieved January 20, 2005, from http://times.hankooki.com/lpage/biz/200402/kt2004020316301511860.htm.
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Films and videos
93 Naeil-ûn nûjûri: hwan'gyôngbojôn syup'ô k'onsôt'û. (1993). [VHS]. Seoul: SKC.
94 Yôrûm saeroun tojôn. (1994). [VHS]. South Korea: KBS.
Chang, Kil-su (Director), & An Chông-hyo (Ahn Jeong-Hyo) (Writer) (1991).Unma nûn oji annûnda (Silver Stallion) [Film]. South Korea: Han Jin.
Im, Kwon-taek (Im Kwôn-t'aek) (Director) (1993). Sopyonje (Sôp'yônje) [Film]. South Korea: Spectrum.
Jung, Ji-woo (Director) (1999). Haep'iendû (Happy End) [Film]. South Korea: CJ Entertainment.
Kang, Che-gyu (Writer/Director) (1999). Shiri (Swiri) [DVD]. South Korea: Bitwin; CJ Entertainment.
Ko, Chae-hyông (Director) (1993). Hayôga [Music video]. Seoul: Bando.
Kwak, Jae-yong (Kwak Chae-yong) (Writer/Director) (2003). K'ûllaesik (The Classic) [DVD]. South Korea: CJ Entertainment.
Pak, Ch'an-uk (Director) (2000). Kongdong Kyôngbi Kuyôk JSA (Joint Security Agreement) [DVD]. South Korea: Myung Film.
Park, Kwang-su (Director) (1988). Ch'il-su wa Man-su (Chilsu and Mansu) [DVD]. South Korea: Marvel Entertainment.
Ryoo, Seung-wan (Yu Sûng-wan) (Director/Writer) (2005). Chumogi Unda (Crying Fist) [Film]. South Korea: Showeast.
Seo Taiji & Boys. (1996). Sô T’aeji-wa aid'ûl - Kuppai myujikpidio (Seo Taiji and Boys - Goodbye music video [VHS]. Seoul: We Chae-tol chak.
Yi, Chang-ho (Director) (1980). Param purô chûn nal (A Fine Windy Day. South Korea: Dong-a.
Yu, Ha (Director) (2004). Malchukkôri chanhoksa (Once Upon a Time in High School: Spirit of Jeet Kune Do). South Korea: CJ Entertainment.
Audio Recordings
Roo’ra (Rulla). (1994). 100 iltchae mannam. On 100 iltchae mannam [CD on
S#arp (Syap). (1998). Yes. On The s#arp [CD on Internet player]: Ungjin.
Seo, Taiji. (2000). Orenji. On Ult'ûramaeniya [CD]. Seoul: Wawa.
Seo, Taiji. (2000). Taengk’û. On Ult'ûramaeniya [CD]. Seoul: Wawa.
Seo, Taiji. (2004). Victim. On 7th issue Live Wire [CD]. Seoul: Yedang entertainment.
Seo Taiji & Boys. (1992). Nôwa hamkke han shigansok-esô. On Seotaiji & Boys. Seoul: Bando.
Seo Taiji & Boys. (1993). Nôege. On Seotaiji & Boys II. Seoul: Bando.
Seo Taiji & Boys. (1994). Aidûlûi nunûro. Seotaiji & Boys III. Seoul and Los Angeles: Bando.
Space A. (2000). Arûmdaun ibyôl. On Power Secondary [CD on Internet player]: